Melvin Sokolsky - Over New York, Harper's Bazaar 1963

ArtPhotoExpo

Melvin Sokolsky - Over New York, Harper's Bazaar 1963

Melvin Sokolsky - Quai de Seine, Paris, Harper's Bazaar 1963

ArtPhotoExpo

Melvin Sokolsky - Quai de Seine, Paris, Harper's Bazaar 1963

Melvin Sokolsky - Flower Girl faces, Paris, Harper's Bazaar 1963

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Melvin Sokolsky - Flower Girl faces, Paris, Harper's Bazaar 1963

Melvin Sokolsky - Fly Dior, Paris, Harper's Bazaar 1963

ArtPhotoExpo

Melvin Sokolsky - Fly Dior, Paris, Harper's Bazaar 1963

€17,000

About Melvin Sokolsky:

Melvin Sokolsky was born and raised in New York in 1933 where he began his career as a still life photographer. He began his career at Harper's Bazaar in 1959 at the age of 21. Melvin's work is particularly influenced by art: the surrealists Paul Delvaux, Salvador Dali, Francis Picabia and Flemish masters such as Jan Van Eyck, Rogier Van der Weyden, Hieronymus Bosch and Pieter Brueghel. As in Balthus' painting, he is interested in the movement of the body under clothing, in the woman in front of the lens rather than fashion. The series ''Women in Bubble'' produced during the spring collections in Paris in 1963 for Harper's Bazaar is one of his most famous creations. The inspiration came from the memory of a painting by Hieronymus Bosch, ''The Garden of Earthly Delights'', in which we can observe characters in transparent bubbles. All that remains is to find the tips to make the magic happen. Melvin goes to Long Island to have aeronautical engineers make the Plexiglas bubbles, plastic spheres joined together with enough space between the two parts to allow air to pass through. The hinge system is inspired by Fabergé eggs with joints located at the top of the bubble to allow easy access to the mannequin. The bubbles are suspended from a crane by aircraft cables, the trace of which he removes by scratching the negative of the film, creating the perfect illusion. On the casting side, it's about finding models who would be able to enter the bubble without panicking or suffering from claustrophobia and it is naturally towards his favorite model, Simone d'Aillencourt that the photographer turns. Plexiglas bubbles drifting on the Seine, models made tiny by placing them next to gigantic furniture - a reference to Alice in Wonderland, levitating mannequins, furniture fixed to the ceiling overturning weightlessness and numerous portraits of celebrities are all clichés that have marked the history of photography.